Meet the Poetry Reader: M. E. Hoban

31253132_10156432220242533_2937868672548470784_n.jpg

Dearest readers,

There have been new changes afoot in our small editorial team. Instead of being content with our triumvirate, we have expander our circle and our pleased to announce the addition of a fourth member to our team! As with our past "Meet the Editors" interviews, we decided to ask a few questions about her interests...

M. E. Hoban earned her BA in English from the University of Michigan, where she spent four years on the editorial staff of Fortnight Literary Press. She likes dogs and feels most at home near water.

Artists/writers you like or admire or inspire you
My favorite writers are James Joyce and Oscar Wilde, although my favorite book ever is and probably always will be Gail Carson Levine’s Ella Enchanted. Lately, I have just finished a novel by Natsume Soseki and have moved on to a collection of the works of Richard Bruce Nugent.

Favorite vegetable?
I love bell peppers. They can be cooked (or not cooked) in pretty much any way and add nice, cheerful colors to whatever you’re making, be it stir fry or salad. Like many of my favorite things, they are both practical and pretty.

What do you like most about bees?
Bees inevitably make me think of flowers—specifically, my mother’s front garden in summer, which in my head is always full of myrtle and orange lilies. So, I suppose I like bees because seeing them is always a sign that the weather is warming up and the flowers are blooming.

Issue Five: Untranslatable & A Letter from the Editor

bp5-contributors.gif

Dearest readers,

When our editorial triumvirate first set out preparing our theme for this issue, we tossed around a number of different words that might encapsulate the mood we were trying to go for. We wanted something melancholic, bittersweet, and intangible. We almost settled on the Russian word “Toska,” but realized that Vladimir Nabokov had already described it better than we ever could.

“No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness.”

There were other strong contenders: the Portuguese “Saudade,” the German “Weltschmertz,” and the Spanish “Duende.” We eventually alighted on the more mutable “untranslatable,” which gave us the opportunity to branch out from mere sadness. After all, Spring is just beginning to bring itself out of its’ self-imposed exile.

We have thirteen marvelous contributors in this issue, each tackling the struggle of words on the tongue that are too scared to slip off. (Of course, our March 13th publication date was exceedingly well planned.) Caleb Lovelace creates a deconstruction of the body that dwells in “a constant state of un/control.” Zoe Guttenplan writes that, “translation is never an a=a equation, but more of an a=α=א etc. etc.”

There is something wondrous in the intransigent. We hope that you enjoy this issue and thank you for your continued support in helping to make this issue possible

-The Editors
 

Call for Submissions - Issue Five: Untranslatable

bp issue 5 ads 1 1.jpg

Dearest readers,

Have you ever had a moment where you've found yourself trying to voice something so essential but found yourself stumbling? The collapse of words and feelings between one person to another. It is winter again, but sometimes it feels as if it is always winter. 

Welcome to 2018 and to the theme of our fifth issue: Untranslatable. 

What is untranslatable? 

Words that linger on your tongue that are too scared to slip off / Art that claws itself up from the earth to claim existence / The things that have made you call yourself more earthquake than person /Half-formed love songs / Something screeching and raw/Something blooming with infinite tenderness. 

Submissions of art, poetry, and prose are open until February 20th. Check out our submissions page for more guidelines on what we are looking for. We can't wait to read your work!

We are also excited to announce that from this year forward, Bombus is now a quarterly journal and we will be publishing issues in March, June, September, and December!

Wishing you warmth and light in the New Year,

-The Editors

Pushcart Prize Nominations

tumblr_ozhd0tjKW81vevhugo1_1280.jpg

Bombus Press is very pleased to announce our nominations for the annual Pushcart Prize Anthology. 

Our nominees from 2017 include:

illusionary darkness by Hodges Adams (Issue IV)
a portfolio of blues by S. A. Khanum (Issue IV)
Birth City by Kanika Lawton (Issue II)
HYLAS, on Desire by Yves Olade (Issue III)
Hollowing by Shay Vera-Cruz (Issue III)
Baby Brother by M. Wright (Issue II)

We wish the best of luck to all of them and we hope to see their work in print!

-The Editors

Issue Four: Chiaroscuro & A Letter from the Editors

bp 4 contributors 10-29.1.jpg

Dearest readers,

When we're planning an issue, it's not always clear when we will be publishing it. There is usually a vague date in mind, but other times we glance at our calendar and realize that the perfect time is staring us right in the face. Thus, with no small amount of pleasure, we are pleased to bring you our fourth issue of Bombus when the veil is clearest. 

Halloween did seem to be a rather fitting day to coincide with the release of Chiaroscuro.

There is something tender and wondrous that sits at the heart of this issue; this interweaving between the fantastical and the profane. This is an issue of firsts as well; our first chance at getting to publish both creative non-fiction and cross-genre work. We feel so humbled that we have been able to publish so much exciting work over the past year and we are so humbled by all of our contributors and supporters.

A few things to be on the lookout for in the future:

  • We will be announcing our nominees for the Pushcart Prize in the next following weeks!
  • There are a couple of changes that will be happening to the internal structure of Bombus, as part of our long-term goal of shaping the magazine so it can be the best that it can be. As of now, we will be closed for submissions until 2018, at which time we will hopefully be able to draw back the curtain on the new Bombus.

For now, there is only light. (And maybe a ghost or two.)

Happy Halloween!

The Editors